The Drum Ledger

Beats, blogging, and more.

Shaun has been playing drums since 1994 and currently plays in a small local band named Next to Kin.

  • When you’re playing drums, it’s really important that every piece of the kit says exactly where you set it. The bass drum is especially notorious for “walking” forward a little more with every hit. They don’t call it a kick drum for nothing!

    Most kick drums have some sort of “leg” that are meant to keep the drum from sliding. These legs usually have rubber feet meant to grip the floor and hold the drum in place. Apparently I kick too hard, because those rubber feet never really work and my drum still marched forward. Many kits usually offer a better option: a steel spike, sometimes hidden under/inside the rubber. The spike works wonderfully, but only if it can dig into a carpet—and ideally one that the whole kit sits on so everything stays aligned.

    So years ago, I went to Walmart and bought a cheap rug. It turned out to be one of the best upgrades I’ve ever made, and now I bring it to every gig. At first, I even used tape to mark where each stand should go, which made setup faster. Over time the tape wore off, but by then I knew my setup well enough that I didn’t need the guides any more.

    So even though it may not seem like a big deal, that rug goes to every gig and keeps my bass drum from wandering off mid-song. And honestly, there’s something a little luxurious about rolling out your own fresh, clean carpet—especially since I play without shoes!

  • The Yamaha EAD-10 has become an integral part of my live kit. The audio input allows me to connect a monitor feed from our mixer to use in my ear buds. I can control the volume of my drums and the mix quickly with two physical knobs: one for the master volume, and one for the input volume.

    My full live setup looks something like this:

    • The band is plugged into our Behringer XR-18, a very nice mixer that’s controlled entirely via its own Wi-Fi network. We run our sound using a iPad so we can walk around the venue during soundcheck.
      • For larger venues and/or when we use our subwoofer, I’ll plugin in a Shure Beta 52A mic for my bass drum.
      • The EAD-10 does have stereo outputs that could be connected to the mixer for the rest of my drums. However, there’s a major design flaw (in my opinion) with the EAD-10 software: there are no controls for what is sent through the EAD-10 stereo outputs. This includes any audio that is being passed through the line-in—meaning my monitor mix gets sent back to the mixer, and eventually causes feedback and other issues.
    • I run an XLR-to-⅛” cable from the mixer to the line-in on the EAD-10.
    • My phone is connected to my hi-hat, and I use the Mixing Station app to wirelessly control my monitor mix from the XR-18.

    With this setup, once I have my monitor mix tuned, I can control the overall monitor volume — and my own drum volume, via the EAD-10 hardware knobs. These physical knobs are ten-times easier to adjust in the middle of a song than a trying to drag a digital slider on a tiny phone touchscreen.

    And, since I’m running all my audio to my noise-isolating IEM’s (in-ear monitors, fancy way of saying ear buds) I’m able to play at a comfortable volume and I don’t struggle to hear myself. This setup, fine tuned over the last 6 years, has helped me level up my live performances.

  • I primarily play a Yamaha Stage Custom Hip 4-piece in the Surf Green finish. I have a variety of snare drums that I switch between: the included 13″ x 5″ Yamaha Stage Custom Hip wood snare, a 13″ x 5″ Pork Pie Little Squealer wood snare, and a 14″ TAMA Superstar wood snare. I obviously have a thing for smaller sized drums, though the TAMA snare is my current favorite.

    Cymbals

    I use 13″ Zildjian K/Z cymbal mix for my hi-hats, with the heavy Z cymbal on the bottom. My crash is a 16″ Sabian AAX, and my ride is a 21″ Zildjian K Sweet Ride. I also have Sabian AAX 18” china and 6” splash cymbals, but haven’t used them in years—but can’t bring myself to get rid of.

    Stands

    For stands, I’m using the Yamaha HW3 Crosstown light-weight collection, which my back greatly appreciates. The stands are incredibly durable but also super lightweight, with a mark-resistant satin finish. They’re really quite lovely, and came with a nice bag. It’s amazing to be able to cary all my stands and hardware with one arm. My previous hardware weighed well over 60lbs, and was a nightmare to carry down club stairs at 2am.

    Monitoring

    I rarely play without an ear buds or headphones. Drums are loud, and I try my best to protect my hearing. As part of my practice and live setup, I’ve incorporated a Yamaha EAD-10, as system with a microphone, trigger, and processor unit.

    The EAD-10 processor unit.

    The microphone+trigger unit attaches to the bass drum hoop with a simple thumb screw. The piezo trigger is… triggered… when hitting the bass drum hoop. The unit also has two wide area microphones pointed left and right to pick up the rest of the kit. The processor unit has a few more inputs for additional triggers, which I’ve tried but don’t really need.

    The EAD-10 trigger and mic.

    The processor unit combines the triggers and microphones, offering control over the mix—including an additional aux input. While practicing the aux is connected to my phone, playing music or YouTube. Live, the aux is a feed from our mixer and serves as my in-ear monitor.

  • The Drum Ledger is a new site dedicated to the craft and experience of playing drums, specifically a drum kit. I’m looking to write about some of my hardware, share some practice routines, and some sheet music. If you’re into drumming, maybe you’ll find some interesting things here.